Why Edit?
Because it matters
(An excerpt from Stet
Again!)
Where do I start? Perhaps with narrow
escapes ... like the editor who correctly changed "lowering"
(the drinking age) to "raising" it in a document meant for
national distribution, or the editor who noticed that the
signature line for a letter signed by James Madison should
not have read 1924. Or, more to the point, perhaps with
horror stories ... like the editor who did not notice that
John Adams was referred to as the third president of the
United States in a letter signed by Prince Charles and Princess
Diana. This letter appeared a few years ago in the Washington
Post in conjunction with the Treasure Houses of Britain
exhibit, and the press had a field day.
In each case, someone merely reading these documents for
typos would not have caught the error — nor would the ubiquitous
spell checker. Someone's brain had to be engaged; someone
had to be reading with a critical eye; someone had to be
processing the information. That someone is often an editor.
Who or what is an editor? Ideally, someone with an eye
for detail who checks spelling, grammar, consistency, and
conformity to style. On a deeper level, someone who clarifies
the author's meaning but leaves the author's voice intact;
someone who acts as the reader's advocate and points out
where ideas are muddled, logic is flawed, or the argument
bogs down in unnecessary detail or endless repetition. Every
piece of writing can benefit from an edit.
For many writers, an editor is simply the enemy who takes
a piece of perfectly adequate writing and mucks it up. Undoubtedly,
some writers have been victims of the meat-ax school of
editing: There are as many bad editors out there as there
are bad writers, and it takes only a few bad experiences
to sour writers on editing and editors forever. But the
fact of the matter is that writers tend to be concerned
with content and editors with its expression; writers focus
primarily on meaning and editors on form. Together they
can produce a document that says what it means to say clearly
to its intended audience. Often a writer is so close to
the subject matter that he or she thinks a sentence or phrase
will be crystal clear when in fact it will not. Readers
depend totally on the written word; no body language or
inflection guides them as in conversation.
Why edit? Because the little things you think that no one
will notice or care about can come back to haunt you. Because
an editor just might save you from looking foolish in print.
—Mary Stoughton
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